'Painting does not imitate the world, but is a world of its own.'
In 1948, Maurice Merleau-Ponty wrote and delivered on French radio a series of seven lectures on the theme of perception. Translated here into English for the first time, they offer a lucid and concise insight into one of the great philosophical minds of the twentieth-century.
These lectures explore themes central not only to Merleau-Ponty's philosophy but phenomenology as a whole. He begins by rejecting the idea - inherited from Descartes and influential within science - that perception is unreliable and prone to distort the world around us. Merleau-Ponty instead argues that perception is inseparable from our senses and it is how we make sense of the world.
Merleau-Ponty explores this guiding theme through a brilliant series of reflections on science, space, our relationships with others, animal life and art. Throughout, he argues that perception is never something learned and then applied to the world. As creatures with embodied minds, he reminds us that we are born perceiving and share with other animals and infants a state of constant, raw, unpredictable contact with the world. He provides vivid examples with the help of Kafka, animal behaviour and above all modern art, particularly the work of Cezanne.
A thought-provoking and crystalline exploration of consciousness and the senses, The World of Perception is essential reading for anyone interested in the work of Merleau-Ponty, twentieth-century philosophy and art.
Foreword by Stéphanie Ménasé vii
Introduction by Thomas Baldwin 1
1 The World of Perception and the World of Science 37
2 Exploring the World of Perception: Space 47
3 Exploring the World of Perception: Sensory Objects 57
4 Exploring the World of Perception: Animal Life 67
5 Man Seen from the Outside 79
6 Art and the World of Perception 91
7 Classical World, Modern World 103